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These may possibly have been autographs transmitting the music text in the definitive version. Then the autographs that we know today would be no more than precursors. And what about the waltz in E flat major , B 46 spurious? What is the source of this piece? Some copy? If you have any details please let me know, Greetings , Hans de Korver. Thank you for your comment!


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However, Ferdynand Hoesick saw the album and described its content. According to him, the Waltz B 46 was part of the album and should consequently be considered as authentic. The other Waltz published by Breitkopf in , B 21, is a slightly different case. It is true that this piece was also part of the Elsner music book. Thus, there is no doubt that B 21 is authentic, whereas B 46 remains slightly unclear in its authenticity. Thank you very much.

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Anyway 2 very youthful waltzes. By clicking "Post comment", you agree that your data will be stored by G.


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